My practice is rooted in experimentation. I’m interested in how softness and ambiguity can hold tension, how subtle shifts in color or shape can evoke memory, mood, or even place.

 

My work explores abstraction as a language of emotion and atmosphere. I’m drawn to fluidity—of color, of form, of meaning. Each painting begins without a fixed image in mind, allowing intuition, water, and pigment to shape the composition. I respond in real time to the materials and their behavior, which makes the process feel like a conversation rather than a directive.

 

These paintings often live in an in-between space—somewhere between dream and landscape, inner world and outer. They invite contemplation rather than conclusion, and I hope they encourage viewers to slow down, look longer, and feel their way through.